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I don't like the Play engine all too much, but it's definitely a good library вЂ“ check out the demos! You can buy individual libraries too (such as Hollywood Strings, Brass, etc.).

Symphonic Orchestra (EWQL, Play Engine).ДЇrom $199.

Contains tons of patches for all the sections of the orchestra, SFX, ethnic flutes, and more. The Albions also contain synths, extra percussion, loops, and more. Definitely would recommend buying something like Albion One as your first big orchestral sample library.

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My favorite ones of these are Albion 3: Iceni which is specifically for that low end and dark orchestral sound, and Albion One for big and bold full orchestra. Fantastic libraries for beginners, but also for professionals. These libraries have great articulations for strings, brass, woodwinds, percussion and sound design.

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The Albion Series (Spitfire Audio, Kontakt)Дifferent pricings, but a lot for the money.Here are some of my favorite all-in-one libraries: Once you buy the section-specific libraries, you'll get more bespoke articulations for those sections, because the sample developers have spent a lot more time on that specific section.ДЄpart from the orchestral sections, in several ones of these you also get extra content like organs, synths, ethnic percussion, and more. Some of the full orchestral libraries have more articulations, and some less. This is what you mostly use as an orchestral composer anyways, so these all-in-one libraries are highly useful. Con sordino (muted, both brass and strings).Col legno (hitting the strings with the wood of the bow, percussive sound).These contain all the standard sections of the orchestra, and have the most basic and fundamental articulations that you need: The absolute perfect starting point for any composer is to go with all-in-one libraries. Let me know if you like something particular that I haven't brought up here вЂ“ would be great to try out new sample libraries! Keep in mind that I am mainly aiming this towards beginning and intermediate composers looking for some new samples for their music creation. I won't go too in-depth in each and every one of these libraries вЂ“ I just want to let you know some of the main features and properties of them.

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They are perfect for both beginning and professional composers. Most of them are quite standard in the industry, and most composers know and use them in their everyday work. As there are tons of libraries out there, these are only a few of the biggest and best ones that I personally find very good. I'd like to share with you a list of orchestral sample libraries that I personally recommend. You can use any DAW you want, but you'll be using Kontakt eventually.and they know it.Let's get into some juicy sample library talk, shall we? As long as that's the case, NI can sit on their hands knowing that they remain critical infrastructure. But as things stand, even with the big players peeling off, a composer/producer/artist needs to make very deliberate choices to avoid Kontakt.

In the short term they'd become the place with all the depth, and over the long run they'd fill out their breadth. If I was them I'd be loaning dev support to port halo products from Kontakt and I'd be having serious talks about dealing with whatever hang ups people have about using their platform. UVI Workstation is probably in the best place in terms of a proven cross-platform sampler but.it's held back by no demos and insufficient 3rd party support. There are sure to be a number of yet undiscovered ugly edge cases to be found. SINE is getting updated fairly quickly, but there's no getting around the fact that it's a new sampler. EW Play has improved, but it took years and still isn't a full-on challenger. Kontakt is definitely more mature than SINE, and frankly all of the recent(ish) upstart challengers.